Nanjing Times Mansion Metropolitan Aesthetic Center / Nanjing Tianhua

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Architecture and courtyard landscape reflect each other. Image © Jianghe Zeng

Text description provided by the architects. As Louis Kahn said: “All material in nature, the mountains and the streams and the air and we, are made of Light which has been spent, and this crumpled mass called material casts a shadow, and the shadow belongs to Light.” We use the light as the director, shadow as the protagonist, and space narrative to guide people to experience individuality and unique light & shadow space.

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Light and shadow on the building's simple and powerful carving. Image © Jianghe Zeng

This project is located in a city park. The site is narrow and the surrounding environment is noisy. We designed a box, a mirror-like waterscape, and an L- shaped cloister to counter the narrowness of the site. The irregular plot is the parking lot. The reflection of the building merges with the mottled light and shadow in the corridor, which continuously carves and extends the space and endows the space with tranquility.

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The real scene of the Time Mansion Metropolitan Aesthetic Center. Image © Jianghe Zeng

Light & Shadow Carving
We strive to unify the interior and the exterior and rationalize the logic of the space experience. Covering the building's facade with highly-transparent glass, ultra-white U-shaped glass, stone and aluminum plate, the constant contract of the transparent, translucent and opaque parts in the light and shadow becomes more harmonious.

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Light and shadow space 3 light spaces

The Ultra-white U-shaped glass has a soft and translucent texture in daylight. The continuous horizontal of light gray stone records the flow of the time when the light changes.

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U-glass after the gentle light, Zen garden landscape, dynamic light and shadow space intertwined. Image © Jianghe Zeng

Light & Shadow Space
Light is the soul of architectural space, so we designed three different light spaces in the interior: the light lobby, the light display area, and the light leisure area.

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Quiet, elegant leisure space. Image © Jianghe Zeng
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Overlooking the polygonal spiral staircase and lounge area. Image © Jianghe Zeng

People in the upper and lower layers of the "light lobby" are connected by a linear and delicate two-story space, creating a spatial dialogue; under the light and shadow, the poetry of space and materials is inadvertently presented.

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The first floor of the reception hall of Light looks at the roof linear sunroof. Image © Jianghe Zeng

The skylight of the “light display area” is square, where the light passes through folded aluminum sheets to form shadows; refracted and diffused by the light grey stones, the light roams around the rhythmic short walls around, giving space the unique temperament of a museum.

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An artistic display area. Image © Jianghe Zeng

"Leisure area of light" interconnections with the corridor and the leisure area with the large rectangular side hall. Light filters through the roof louvers, recording the interactions between time and space.

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Second floor corridor space in the afternoon. Image © Jianghe Zeng
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U-glass after the gentle light, Zen garden landscape, dynamic light and shadow space intertwined. Image © Jianghe Zeng

Light & Shadow Sequence
The building cleverly borrows the street scenery, presenting a tranquil and humble attitude behind the walls, in response to the bustling city.

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Looking back at the second floor of the reception hall of Light, the poetic expression of light and shadow space and materials. Image © Jianghe Zeng

In the courtyard space, the buildings and the landscapes integrate each other, enlarging the narrow space and enriching the space experience.

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Light and shadow changing reception area stone wall. Image © Jianghe Zeng

Fragmented scenes in the L-shaped cloister, leave people with expectations for the venues ahead.

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The reflection of the building in the mirror waterscape and the shadow of the corridor in the corridor after the light through the metal mesh curtain. Image © Jianghe Zeng

The folded staircase at the end of the recreation area looks like a sculpture, suggesting an important streamline to the second floor.

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A polygonal corridor extends the path of people's travel. Image © Jianghe Zeng

Conclusion
The buildings are hidden in the noisy city simplify the complex, letting light tell the story in space, guiding people to shuttle between light and shadow, feeling the dialogue between time and space, and appreciating the beauty of life.

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Corridor reflection and mirror waters-cape. Image © Jianghe Zeng

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Project location

Address:Crossing of Yongsheng Road and Tianxing Road, Nanjing, Jiangsu, China

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Location to be used only as a reference. It could indicate city/country but not exact address.
About this office
Cite: "Nanjing Times Mansion Metropolitan Aesthetic Center / Nanjing Tianhua" 14 Jan 2019. ArchDaily. Accessed . <https://www.archdaily.com/909258/nanjing-times-mansion-metropolitan-aesthetic-center-nanjing-tianhua-architectural-design> ISSN 0719-8884

The main entrance of the building hidden under the light and the "window of time" on the second floor. Image © Jianghe Zeng

南京时代天樾都会美学中心 / 南京天华

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